A collection of work from the writer, Anthony Dean-Harris, on culture, jazz, media, art, etc.
The Line-Up for 8 January 2021 and evölve for 9 January 2021
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I have finally run through my favorite jazz albums of the last year in radio format, because nothing is normal anymore but we all keep trucking along.
The Line-Up is an hour of modern jazz music that airs Friday nights at 9pm CST on 91.7 FM KRTU San Antonio.
evölve is two hours of modern jazz music that airs Saturday afternoons from 3-5pm CST on 91.7 FM KRTU San Antonio.
The Line-Up for 8 January 2021 Nrorah Jones - Say No More David Lord, Jeff Parker, Chad Taylor, Billy Mohler - Cloud Ear Lionel Loueke - Tell Me A Bedtime Story Chicago Underground Quartet - Good Days (For Lee Anne) Kurt Elling & Danilo Perez - Beloved (For Toni Morrison) Takuya Kuroda (feat. Corey King) - Change Makaya McCraven - Mak Attack Jeff Parker - Fusion Swirl Pat Metheny - You Are Bill Frisell - Baba Drame evölve for 9 January 2021 Jeremy Pelt - Ebony Moonbeams
Charles Tolliver - Emperor March Nir Felder - Fire in August
Christian Scott aTunde Adjuah - Guinnevere Gil Scott-Heron & Makaya McCraven - I'm New Here
Gerald Clayton - A Light
Luke Stewart Exposure Quintet - Brown and Gray
Rob Mazurek -- Exploding Star Orchestra - A Wrinkle In TIme Sets Concentric Circles Reeling Eric Revis - Earl & the Three-Fifths Compromise Tineke Postma - Parallax
Norah Jones - This Life David Lord, Jeff Parker, Chad Taylor, Billy Mohler - Blue Morpho Lionel Loueke - Come Running To Me Chicago Underground Quartet - Batida
Some time last year, I finally bit the bullet and got a streaming service. I wailed and moaned for years about how they screw over the artist by paying a pittance to them, how they commodify music, how they work you over in every possible way. Then one day, I found myself having to DJ at a gallery opening and ended up having to use Spotify for some reason and it clicked. I understood the allure, the freedom of having just about any song you need just about any time you need it. The process began and I started to break down. Of course, I knew I wouldn't go with the great grifter that is Spotify, so like with all major endeavors I take on, I researched for a while for the fairest streaming service with the best library for the best value and ended up going with Tidal, much to the chagrin of anyone who follows my Instagram stories (or to the integration with my Android operating phone, unable to use voice commands to play a song at will because I guess Jay Z didn't get the contrac
I've often said that I have always done what I've done because of sheer momentum. Sure, I try to move cautiously in life. I once said while in the middle of a particularly altered state of mind, sitting on the rocky shore of a lake, certain that a part of my consciousness could travel through time, that if I could make it here to this place to tell the story, surely it must have all worked out in the end. I forgot that I was still living in the story that I was yet to tell. I forgot that the telling of the story is an element of the story. I forgot that the telling of the story, like all other elements in life, takes up the currency of time. At a certain point, I realized that I had locked myself into writing about jazz music. I knew long ago that I was lazy, but also that I could find a way to reframe things well. It's a habit common of writers, those of us who have a way of using communication, a thing nearly all of humankind is able to do, and find a way to make such
As it has become customary, check out my latest post at Nextbop about the Wild West nature of the music industry . The post has a lot of hyperlinks in it (hyperlinks in my posts are like Klostermanian footnotes) but there are some articles and posts that I linked in there that I can't stress enough that you read: Jason Parker has some thoughts about how he's pretty much moved past the Grammys . Rachael Maddux has blown the lid off the internet with her article in Paste with the question "Is Indie Dead?" Both of these pieces are really great, especially Maddux's (I can't stress that enough). So please take the time to read them on top of whatever else you're doing on the internet. Also, subscribe to Paste Magazine if you can. I haven't myself, but I intend to rather soon. I really like the publication and have a few ties to them. I can't support them financially right now because I'm as broke as an unfunny joke but I can at least spread t
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