A collection of work from the writer, Anthony Dean-Harris, on culture, jazz, media, art, etc.
The Line-Up for 8 January 2021 and evölve for 9 January 2021
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I have finally run through my favorite jazz albums of the last year in radio format, because nothing is normal anymore but we all keep trucking along.
The Line-Up is an hour of modern jazz music that airs Friday nights at 9pm CST on 91.7 FM KRTU San Antonio.
evölve is two hours of modern jazz music that airs Saturday afternoons from 3-5pm CST on 91.7 FM KRTU San Antonio.
The Line-Up for 8 January 2021 Nrorah Jones - Say No More David Lord, Jeff Parker, Chad Taylor, Billy Mohler - Cloud Ear Lionel Loueke - Tell Me A Bedtime Story Chicago Underground Quartet - Good Days (For Lee Anne) Kurt Elling & Danilo Perez - Beloved (For Toni Morrison) Takuya Kuroda (feat. Corey King) - Change Makaya McCraven - Mak Attack Jeff Parker - Fusion Swirl Pat Metheny - You Are Bill Frisell - Baba Drame evölve for 9 January 2021 Jeremy Pelt - Ebony Moonbeams
Charles Tolliver - Emperor March Nir Felder - Fire in August
Christian Scott aTunde Adjuah - Guinnevere Gil Scott-Heron & Makaya McCraven - I'm New Here
Gerald Clayton - A Light
Luke Stewart Exposure Quintet - Brown and Gray
Rob Mazurek -- Exploding Star Orchestra - A Wrinkle In TIme Sets Concentric Circles Reeling Eric Revis - Earl & the Three-Fifths Compromise Tineke Postma - Parallax
Norah Jones - This Life David Lord, Jeff Parker, Chad Taylor, Billy Mohler - Blue Morpho Lionel Loueke - Come Running To Me Chicago Underground Quartet - Batida
Kurt Elling & Danilo Perez - A Certain Continuum
Takuya Kuroda (feat. Corey King) - Fade
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Anonymous said…
Love your tastes, Anthony. As a mutual fan of Portico Quartet, you would enjoy hearing them with author Chuck Klosterman on STORYBOUND
About a month ago, Patrick Jarenwattananon of NPR's A Blog Supreme put together a group of lists of recent gateway jazz albums from prominent young jazz enthusiasts and bloggers. The Jazz Now Project was a rather brilliant idea and opened up a lot of discussion and awareness about the future of jazz and really shows what the field looks like right now. Early on the the culmination of this project, Jarenwattananon opened the submission of suggestions not only to those he specifically asked but also to other readers of the blog and on the email list. So it didn't take me long for me to submit my own Jazz Now list . (And special thanks to him for linking the post on the compilation of Jazz Now submissions. I got my highest hit count yet of 29 readers because of him. I really need more readers.) When I emailed him the link to my blog for submission, Jarenwattananon thanked me for my list and mentioned that I was the only black guy to have sent anything. He figured that this
Some time last year, I finally bit the bullet and got a streaming service. I wailed and moaned for years about how they screw over the artist by paying a pittance to them, how they commodify music, how they work you over in every possible way. Then one day, I found myself having to DJ at a gallery opening and ended up having to use Spotify for some reason and it clicked. I understood the allure, the freedom of having just about any song you need just about any time you need it. The process began and I started to break down. Of course, I knew I wouldn't go with the great grifter that is Spotify, so like with all major endeavors I take on, I researched for a while for the fairest streaming service with the best library for the best value and ended up going with Tidal, much to the chagrin of anyone who follows my Instagram stories (or to the integration with my Android operating phone, unable to use voice commands to play a song at will because I guess Jay Z didn't get the contrac
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