The Line-Up and Evolve for 29 & 30 December 2023



The Line-Up for 29 December 2023


Steve Lehman & Orchestre National de Jazz, "Los Angeles Imaginary)" off Ex Machina


Gold Panda, "We Work Nights" off Half of Where You Live


Mike Dillon & Punkadelick, the title track to Inflorescence


Gretchen Parlato & Lionel Loueke, the title track to Lean In


Butcher Brown, "It Was Me (Car Chase)" off Solar Music


DJ Harrison, "Echo Parking" off Stashboxxx


John Scofield, the title track to Uncle John's Band


Ambrose Akinmusire, the title track to Owl Song


Teebs, "LSP" feat. Austin Peralta off Collections 01


WEB WEB x Max Herre, "Testimony" off WEB MAX II


Gard Nilssen's Supersonic Orchestra, "The Space Dance Experiment" off Family


Kassa Overall, "The Lava Is Calm" feat. Theo Croker off ANIMALS


Jonti, the title track to Twirligig


Maria Elena Silva, "Sugar Water" off Dulce


Evolve for 30 December 2023

3 o'clock hour


JoVia Armstrong & Eunoia Society, "Creation" off Inception

Mo Kolours, "Banana Wine" off EP2: Banana Wine


John Scofield, "Budo" off Uncle John's Band


Chris Botti, "Blue In Green" off Vol. 1


Flying Lotus, "FLOTUS" off ideas+drafts+loops


Lonnie Liston Smith, Adrian Younge & Ali Shaheed Muhammad, "Dawn" off JID 017


Matthew Halsall, the title track to An Ever Changing View


WEB WEB x Max Herre, "Perennial Journey" off WEB MAX II


Mo Kolours, "Tusk Dance" off EP3: Tusk Dance


Darcy James Argue's Secret Society, "All In" off Dynamic Maximum Tension


Gard Nilssen's Supersonic Orchestra, "Boogie Stop Toffel" off Family


A.M. Architect, "Circus"


Pascal Le Boeuf, "Ritual Being, Pt. 1" feat. Friction Quartet & Remy Le Beouf off Ritual Being


4 o'clock hour


Pascal Le Boeuf, "Ritual Being, Pt. 2" feat. Friction Quartet off Ritual Being


Nujabes, "The Space Between Two Worlds" off Samurai Champloo Soundtrack


The Angelica Sanchez Nonet, "Big Weirdo" off Nighttime Creatures


Lawrence Fields, "Parachute" off To The Surface


Nujabes, "Aruarian Dance" off Samurai Champloo Soundtrack


Mike Dillon & Punkadelick, "Slowly But Surely" off Inflorescence


Johnathan Blake, "Tiempos" off Passage


Mister Barrington, "Helter's Kelter" off II


Art Ensemble of Chicago, "Funky AECO" off The Sixth Decade - From Paris to Paris


Simon Moullier, "Enchantment" off Isla


Mndsgn, "Sheets" off Yawn Zen


Miho Hazama, "Can't Hide Love" off m_unit: Beyond Orbits

Comments

Anonymous said…
Love your selections, and your spirit, Anthony! Keep up the good work! It's vital for those of us on the quest to keep fresh sounds in our ears! Happy New Year!
Thursday, January 04, 2024 9:42:00 AM
Post a Comment

Popular posts from this blog

Artistic Partnerships

I had intended for my next post to be about America's socio-economic economy, but I'll save that for a little bit later. I was just reading through my normal load of publications and I ran across a brief article that bothered me so much upon reading it that I just had to write something about it. NME reports this morning that John Paul Jones and Jimmy Page got tired of waiting for Robert Plant to make up his mind about doing a new tour with Led Zeppelin and they're just going on without him . Considering how late to the game I am to one of the best bands ever, I cannot feel right in saying whether or not this must stand, but I know this certainly bothers me. Maybe it's a matter of perspective, but at what is the art still pure from its source when the authors are missing? Is Led Zeppelin still Led Zeppelin if Bonzo's son is playing the drums and some other dude is doing all the singing? When it was 75% original band and things were kept in the family for the ot
Read more

To Be Young, Gifted, Black, and a Jazz Enthusiast: Apparent Needle in a Haystack

About a month ago, Patrick Jarenwattananon of NPR's A Blog Supreme  put together a group of lists of recent gateway jazz albums from prominent young jazz enthusiasts and bloggers.  The Jazz Now Project was a rather brilliant idea and opened up a lot of discussion and awareness about the future of jazz and really shows what the field looks like right now.  Early on the the culmination of this project, Jarenwattananon opened the submission of suggestions not only to those he specifically asked but also to other readers of the blog and on the email list.  So it didn't take me long for me to submit my own Jazz Now list .  (And special thanks to him for linking the post on the compilation of Jazz Now submissions. I got my highest hit count yet of 29 readers because of him. I really need more readers.) When I emailed him the link to my blog for submission, Jarenwattananon thanked me for my list and mentioned that I was the only black guy to have sent anything.  He figured that this
Read more

2022: I Lost My Father and Got Into Milton Nascimento

Image
"There are years that ask questions and years that answer." --Zora Neale Hurston, Their Eyes Were Watching God Folks have been bandying that quotation around the last few weeks on Twitter, the social network that just won't quit no matter what literal Apartheid-era Afrikaner and dumb Bond villain does to stomp all over it, asking what 2022 was for them. I didn't know after ruminating on it for some time, ultimately joking it was a year that made very pointed, declarative statements about how my life herein would go in some ways and made phrases that trailed off into nothing, leaving me to guess its intentions in others. It was a year of feast and famine as my years often are, and always interesting, as I often hope my life is. I wasn't not entertained, even when I was sad or even when I was irritated, and that's always been my hope to approach life that way. But I still don't know what this year was to me. Freelance music journalist Larry Fitzm
Read more