A collection of work from the writer, Anthony Dean-Harris, on culture, jazz, media, art, etc.
The Line-Up for 13 March 2020 and evölve for 14 March 2020
Get link
Facebook
Twitter
Pinterest
Email
Other Apps
The Line-Up is an hour of modern jazz music that airs Friday nights at 9pm CST on 91.7 FM KRTU San Antonio.
evölve is two hours of modern jazz music that airs Saturday afternoons from 3-5pm CST on 91.7 FM KRTU San Antonio.
The Line-Up for 13 March 2020 Ted Poor - To Rome Teebs - LSP feat. Austin Peralta Peter Hum - Crises and Reckonings Idle Hands - Over the Fence Jeremy Pelt - I've Just Seen Her Jimmy Greene - Good Morning, Heartache Apple Juice Kid - Bitches Kurt Elling and Danilo Perez - Esperanto Nina Simone - Liberian Calypso Elsa Nilsson - Hindsight Shabaka and the Ancestors - Go My Heart, Go to Heaven Nujabes - Tsurugi No Mai Bobby Previte / Jamie Saft / Nels Cline - The Extreme Present Dan Weiss Trio + 1 - Jamerson evölve for 7 March 2020 Michael Wolff - Milton Gold Panda - Brazil Eric Alexander - Lonely Woman Jazz at Lincoln Center Orchestra with Wynton Marsalis - Hammerhead THEESatisfaction - Juiced Lafayette Harris Jr. - Please Send Me Someone to Love Joey Alexander - Mosaic (Of Beauty) Flying Lotus - Until the Quiet Comes Idle Hands - Snow Child Peter Hum - Embers Jerome Jennings - Be-Bop The Gaslamp Killer - Seven Years of Bad Luck for Fun Rafiq Bhatia - The First Time Ever I Saw Your Face feat Cecile Mclorin Salvant Avram Fefer Quartet - Dean St. Hustle Bonobo - Cirrus Bobby Previte / Jamie Saft / Nels Cline - PhotoBomb Bobby Previte / Jamie Saft / Nels Cline - The Extreme Present Bobby Previte / Jamie Saft / Nels Cline - Woke Butcher Brown - Dusk on Crenshaw Jimmy Greene - While Looking Up Elsa Nilsson - Hindsight A.M. Architect - Circus Isabelle Olivier / Rez Abbasi - Timeline Lynne Arriale Trio - Sometimes I Feel Like a Motherless Child Warren Wolf - Come and Dance With Me Flying Lotus - meadow man2 Yelena Eckemoff - Lynx
The new editor-in-chief of the Tiger is asking what I would bring as editor for an interview tomorrow. He asked for this write-up: For the upcoming year, I hope to bring the same excellence to the editorial section of the Maroon Tiger that has been shown years past. Still, I feel that, if chosen, I will raise considerable standards of the section. I feel that the editorial section has been bogged down with base material that has become rather repetitive. My body of work for the Tiger has shown that I want to add a certain amount of awareness and seriousness to the editorial section and I hope to extend this mindset as I oversee this section. To the same degree, I want this to be a true voice of the Atlanta University Center, bringing up real issues that have not been addressed. As I’ve stated on multiple occasions, I tire of reading about calling women out on the strip, offensive Nelly videos, and Pall Wall’s influence on orthodontia. A great deal of my life is dedicate
When it comes to my love of Joe Sample, I could really go on for a while. In fact, I already did for Nextbop this week. To be honest, I rather tapped myself out about my love of all that is Joe there. All that's left is the music (much of which I had to bring from home to enter into the KRTU library). The Crusaders - Eleanor Rigby This is my favorite song, period. I marvel in how the majority of it is really a piano trio piece. It's probably Sample's best solo in his whole career (not to say he's peaked). Joe Sample - Carmel My parents don't often listen to The Line-Up. It's really not their brand of jazz. But since it's clearly been established this week that Joe Sample is loved throughout much of my family, this show is more palatable to them than any other show I've done. Because of that, before putting this show together, I asked my mother what song she'd like to hear this week. She chose "Carmel." Michael Franks - Nightmoves Fr
About a month ago, Patrick Jarenwattananon of NPR's A Blog Supreme put together a group of lists of recent gateway jazz albums from prominent young jazz enthusiasts and bloggers. The Jazz Now Project was a rather brilliant idea and opened up a lot of discussion and awareness about the future of jazz and really shows what the field looks like right now. Early on the the culmination of this project, Jarenwattananon opened the submission of suggestions not only to those he specifically asked but also to other readers of the blog and on the email list. So it didn't take me long for me to submit my own Jazz Now list . (And special thanks to him for linking the post on the compilation of Jazz Now submissions. I got my highest hit count yet of 29 readers because of him. I really need more readers.) When I emailed him the link to my blog for submission, Jarenwattananon thanked me for my list and mentioned that I was the only black guy to have sent anything. He figured that this
Comments