A collection of work from the writer, Anthony Dean-Harris, on culture, jazz, media, art, etc.
The Line-Up for 6 March 2020 and evölve for 7 March 2020
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The Line-Up is an hour of modern jazz music that airs Friday nights at 9pm CST on 91.7 FM KRTU San Antonio.
evölve is two hours of modern jazz music that airs Saturday afternoons from 3-5pm CST on 91.7 FM KRTU San Antonio.
The Line-Up for 6 March 2020 Gregory Porter - If Love Is Overrated Space Ghost - Porco Elsa Nilsson - Worth the Risk/Maria Antoine Berjeaut & Makaya McCraven - The New Untitled (Potomac Avenue) Liberty Ellman - Rubber Flowers Hiatus Kaiyote - Nakamarra Bendaur's Double Rainbow Mix Remix) Jimmy Greene - Always There Tim Berne's Snakeoil - Surface Noise Broken Shadows - Civilization Day Blacks' Myths - Northern Confederate Teebs - _for phil Kamasi Washington - Show Us the Way evölve for 7 March 2020 Michael Wolff - Chill Space Ghost - Starship 2091 Eric Alexander - The Thrill Is Gone Jazz at Lincoln Center Orchestra with Wynton Marsalis - Teru Jonti - Flesh of Morning Joey Alexander - We Here feat. Anne Drummond Lafayette Harris Jr. - Wonder Why Captain Murphy - Hovercrafts and Cows Jeremy Pelt - Then I'll Be Tired of You Gregory Porter - If Love Is Overrated Flying Lotus - tree tunnels3 Kenny Barron/Dave Holland Trio with Jonathan Blake - Pass It On Yelena Eckemoff - Fox feat. Jon Christensen Karriem Riggins - daooooh!! Liberty Ellman - Rubber Flowers Nina Simone - Liberian Calypso Makaya - A New Movement Shabaka and the Ancestors - Go My Heart, Go to Heaven Gil Scott-Heron and Makaya McCraven - New York is Killing Me Tycho - Hours Tim Berne's Snakeoil - Surface Noise Broken Shadows - Toy Dance Toro y Moi - Sweet Matt Mayhall - The Fanatics Elsa Nilsson - Hindsight Gold Panda - S950 Kamasi Washington - Truth
The new editor-in-chief of the Tiger is asking what I would bring as editor for an interview tomorrow. He asked for this write-up: For the upcoming year, I hope to bring the same excellence to the editorial section of the Maroon Tiger that has been shown years past. Still, I feel that, if chosen, I will raise considerable standards of the section. I feel that the editorial section has been bogged down with base material that has become rather repetitive. My body of work for the Tiger has shown that I want to add a certain amount of awareness and seriousness to the editorial section and I hope to extend this mindset as I oversee this section. To the same degree, I want this to be a true voice of the Atlanta University Center, bringing up real issues that have not been addressed. As I’ve stated on multiple occasions, I tire of reading about calling women out on the strip, offensive Nelly videos, and Pall Wall’s influence on orthodontia. A great deal of my life is dedicate
When it comes to my love of Joe Sample, I could really go on for a while. In fact, I already did for Nextbop this week. To be honest, I rather tapped myself out about my love of all that is Joe there. All that's left is the music (much of which I had to bring from home to enter into the KRTU library). The Crusaders - Eleanor Rigby This is my favorite song, period. I marvel in how the majority of it is really a piano trio piece. It's probably Sample's best solo in his whole career (not to say he's peaked). Joe Sample - Carmel My parents don't often listen to The Line-Up. It's really not their brand of jazz. But since it's clearly been established this week that Joe Sample is loved throughout much of my family, this show is more palatable to them than any other show I've done. Because of that, before putting this show together, I asked my mother what song she'd like to hear this week. She chose "Carmel." Michael Franks - Nightmoves Fr
About a month ago, Patrick Jarenwattananon of NPR's A Blog Supreme put together a group of lists of recent gateway jazz albums from prominent young jazz enthusiasts and bloggers. The Jazz Now Project was a rather brilliant idea and opened up a lot of discussion and awareness about the future of jazz and really shows what the field looks like right now. Early on the the culmination of this project, Jarenwattananon opened the submission of suggestions not only to those he specifically asked but also to other readers of the blog and on the email list. So it didn't take me long for me to submit my own Jazz Now list . (And special thanks to him for linking the post on the compilation of Jazz Now submissions. I got my highest hit count yet of 29 readers because of him. I really need more readers.) When I emailed him the link to my blog for submission, Jarenwattananon thanked me for my list and mentioned that I was the only black guy to have sent anything. He figured that this
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