A collection of work from the writer, Anthony Dean-Harris, on culture, jazz, media, art, etc.
The Line-Up for 6 March 2020 and evölve for 7 March 2020
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The Line-Up is an hour of modern jazz music that airs Friday nights at 9pm CST on 91.7 FM KRTU San Antonio.
evölve is two hours of modern jazz music that airs Saturday afternoons from 3-5pm CST on 91.7 FM KRTU San Antonio.
The Line-Up for 6 March 2020 Gregory Porter - If Love Is Overrated Space Ghost - Porco Elsa Nilsson - Worth the Risk/Maria Antoine Berjeaut & Makaya McCraven - The New Untitled (Potomac Avenue) Liberty Ellman - Rubber Flowers Hiatus Kaiyote - Nakamarra Bendaur's Double Rainbow Mix Remix) Jimmy Greene - Always There Tim Berne's Snakeoil - Surface Noise Broken Shadows - Civilization Day Blacks' Myths - Northern Confederate Teebs - _for phil Kamasi Washington - Show Us the Way evölve for 7 March 2020 Michael Wolff - Chill Space Ghost - Starship 2091 Eric Alexander - The Thrill Is Gone Jazz at Lincoln Center Orchestra with Wynton Marsalis - Teru Jonti - Flesh of Morning Joey Alexander - We Here feat. Anne Drummond Lafayette Harris Jr. - Wonder Why Captain Murphy - Hovercrafts and Cows Jeremy Pelt - Then I'll Be Tired of You Gregory Porter - If Love Is Overrated Flying Lotus - tree tunnels3 Kenny Barron/Dave Holland Trio with Jonathan Blake - Pass It On Yelena Eckemoff - Fox feat. Jon Christensen Karriem Riggins - daooooh!! Liberty Ellman - Rubber Flowers Nina Simone - Liberian Calypso Makaya - A New Movement Shabaka and the Ancestors - Go My Heart, Go to Heaven Gil Scott-Heron and Makaya McCraven - New York is Killing Me Tycho - Hours Tim Berne's Snakeoil - Surface Noise Broken Shadows - Toy Dance Toro y Moi - Sweet Matt Mayhall - The Fanatics Elsa Nilsson - Hindsight Gold Panda - S950 Kamasi Washington - Truth
I had intended for my next post to be about America's socio-economic economy, but I'll save that for a little bit later. I was just reading through my normal load of publications and I ran across a brief article that bothered me so much upon reading it that I just had to write something about it. NME reports this morning that John Paul Jones and Jimmy Page got tired of waiting for Robert Plant to make up his mind about doing a new tour with Led Zeppelin and they're just going on without him . Considering how late to the game I am to one of the best bands ever, I cannot feel right in saying whether or not this must stand, but I know this certainly bothers me. Maybe it's a matter of perspective, but at what is the art still pure from its source when the authors are missing? Is Led Zeppelin still Led Zeppelin if Bonzo's son is playing the drums and some other dude is doing all the singing? When it was 75% original band and things were kept in the family for the ot
About a month ago, Patrick Jarenwattananon of NPR's A Blog Supreme put together a group of lists of recent gateway jazz albums from prominent young jazz enthusiasts and bloggers. The Jazz Now Project was a rather brilliant idea and opened up a lot of discussion and awareness about the future of jazz and really shows what the field looks like right now. Early on the the culmination of this project, Jarenwattananon opened the submission of suggestions not only to those he specifically asked but also to other readers of the blog and on the email list. So it didn't take me long for me to submit my own Jazz Now list . (And special thanks to him for linking the post on the compilation of Jazz Now submissions. I got my highest hit count yet of 29 readers because of him. I really need more readers.) When I emailed him the link to my blog for submission, Jarenwattananon thanked me for my list and mentioned that I was the only black guy to have sent anything. He figured that this
"There are years that ask questions and years that answer." --Zora Neale Hurston, Their Eyes Were Watching God Folks have been bandying that quotation around the last few weeks on Twitter, the social network that just won't quit no matter what literal Apartheid-era Afrikaner and dumb Bond villain does to stomp all over it, asking what 2022 was for them. I didn't know after ruminating on it for some time, ultimately joking it was a year that made very pointed, declarative statements about how my life herein would go in some ways and made phrases that trailed off into nothing, leaving me to guess its intentions in others. It was a year of feast and famine as my years often are, and always interesting, as I often hope my life is. I wasn't not entertained, even when I was sad or even when I was irritated, and that's always been my hope to approach life that way. But I still don't know what this year was to me. Freelance music journalist Larry Fitzm
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